Review Star Trek Next Generation Matter of Time
Review: Star Trek: Klingons
Subsequently a duel between him and his blood brother ends in tragedy, a immature hermit calling himself Kahless sets out on a journey that will mark the birth of a prophet for the Klingons and equip their civilisation with a powerful purpose.
The writing squad of Jackson Lanzing and Collin Kelly along with artist Timothy Green Ii combine scenic vistas, thunderous dialog, and brutal action to craft a comic epic worthy of the legend of Kahless.
Things accept been by and large quiet on the Star Trek comics front merely it's most to get very busy. Mirror War has just crossed its midpoint with four issues, more Star Trek: Discovery comics are on the manner, and the Klingons one-shot has arrived, the beginning in a series of comics nearly different alien civilizations in the Trek universe. Veteran editor Heather Antos whose resume includes about a decade of curating comics in publishing houses like Marvel and Valiant joined IDW in April as Senior Editor and later took over the reins of the Star Trek imprint. Between iii serial and teases on social media well-nigh more Trek comics coming, it's clear she's bringing her ambitious vision that brought nigh the relaunch of the highly influential Star Wars comics back in 2015 to Star Trek. There's no such matter in my book as too many Expedition comics (or whatsoever comics for that affair) merely if everything that's coming our way is as enjoyable as this one-shot, I predict that a glorious flavour of reading movie books awaits united states of america!
Grab me up, Scotty
Spoilers for the STAR TREK: KLINGONS comic follow.
The tale begins at the foot of the Kri'stak mountain on Qo'nos so long ago in Klingon history that its history and myth are touching each other. Kahless has but taken his brother Morath'due south life with a blade freshly forged from Kri'stak's holy flames. A mysterious revelation gifted unto him during the making of this blade has compelled Kahless to finish his family unit's existence as a hermit atop this mount. Morath and this previous life are small, necessary byproducts needed to ensure the success of the jumbo task that the bract has placed on him. Armed with information technology on his back, Kahless sets off on a path to unite the Klingon tribes and bless them with a message that will reflect across fourth dimension and infinite for millennia to come.
The Writing
Writers Jackson Lanzing and Collin Kelly ended their landmark comic serial Star Trek: Year Five with #25 in October. The duo moved on to big comic ventures in DC and Marvel and just when I thought Star Trek comics were in their rearview, they announced much to my delight that they're returning for this one-shot. Lanzing-Kelly, like veteran writers David Tipton, Scott Tipton, and Mike Johnson, proved with Year Five that they possess a deep, polished understanding of the Star Trek storytelling way. Whether we just get them for a comic hither and there or they come up back with another maxiseries, any Star Trek comic that bears their name is an automatic addition to my pull.
Lanzing-Kelly paints a fascinating portrait of Kahless. He'south part Moses, part Man With No Proper noun, part Tony Soprano. The duo is captivated with conflicting cultures in Star Trek and continues to make united states accept off our rose-colored visors to examine fundamental moments in their past. Writer Brandon Easton drew from a like concept well in Twelvemonth Five 21 when Spock is pulled back in fourth dimension and learns that Surak is violent and vengeful, the contrary of what his teachings make him out to exist. Lanzing and Kelly have this to the next level in Klingons by taking the Starfleet shackles off. Everything you imagined the Klingon by to be when Worf speaks of information technology is presented here in its terrifying, blood-soaked glory. In that respect it's probably not the best comic for an 8-year-old or a Trekkie who'due south non a fan of graphic violence, to read.
The Fine art
Timothy Green II is a veteran artist whose earliest work goes all the style back to 1996. I was surprised to find that his wide range of comic art didn't include a Star Trek comic because he draws Klingons actually well. His Qo'noS landscapes are vast and look lived in. They are inspired by spaghetti westerns and movies like 300 while his activity exhibits the quiet, near meditative spirit of samurai manga. Artists like him are strong counterarguments to people who say Star Trek action is non its strong accommodate. His art here shows that with the correct story and when done by the right artist, information technology can be incredibly strong, perchance its strongest suit. Green besides draws Klingon features peculiarly well and adds merely enough subtlety to distinguish their faces and body shapes when we see them in close-ups. Colorist DC Alonso complements Green's pencils well with a palette full of bright red and orange shades, giving Qo'noS a visual identity that stays with yous long after yous put the comic away. I really promise this isn't the last Klingon-axial comic painted by Greenish and Alonso.
What'due south The Verdict, Q?
STAR Trek: KLINGONS is an fantabulous comic. While its unapologetic portrayal of Klingon culture might not be for every Trekkie, the idea-provoking narrative about a mythological Star Trek figure adds a humanizing, sympathetic layer to our favorite Bat'leth wielders.
Writer:Jackson Lanzing & Collin Kelly
Artist: Timothy Light-green Ii
Last rating: Warp 9 out of 10
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Source: https://treknews.net/2022/02/22/star-trek-klingons-comic-book-review-kahless/
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